Fine Art
A crumpled bottle, half full: identifying with self. Pencil sketch off reference image

Self Portrait 

2015

Medium: Pencil

Self Portrait 

2015

Medium: Pencil

Sketched off Double-exposure photography to highlight mental confinement. Image of a person in toil & reflection. Pencil sketch

Peonage 

2015

Medium: Pencil 

Peonage 

2015

Medium: Pencil 

Sketch of the historic Ahsan Manzil located in Dhaka, Bangladesh while it was closed off to visitors during pandemic

Doldrum 

2020

Medium: Pen, Water-colour, Ink & Pencil 

Doldrum 

2020

Medium: Pen, Water-colour, Ink & Pencil 

Ahsan Manzil reimagined in the year 2150: sunken, immersed and under intrigue

Willyard 

2020

Medium: Water-colour 

Willyard 

2020

Medium: Water-colour 

Tara Masjid in Dhaka, Bangladesh

Await

2020

Medium: Markers

Await

2020

Medium: Markers

Ruplal House in Forashganj in Old Dhaka, Bangladesh

Lohu laal

2020

Medium: Markers 

Lohu laal

2020

Medium: Markers 

Of the sea in a storm, reflective of the inner turmoil in regular leisurely hours, depicted by dark clouds and restless waves

Sunday Afternoon 

2017

Medium: Acrylic (Finger-painting) on Canvas 

Sunday Afternoon 

2017

Medium: Acrylic (Finger-painting) on Canvas 

The painting is meant to visualize the ripple effect of a task as simple as scooping water from a pond: in the way that it enables living

Corollary 

2018

Medium: Acrylic 

Corollary 

2018

Medium: Acrylic 

Shabby and worn walls weathered over the years, a sight to look at even after the deep wrinkles

Ruminate 

2015

Medium: Water-Colour & Ink 

Ruminate 

2015

Medium: Water-Colour & Ink 

Ajo Idea Space in Uttara, Bangladesh. a place known to public for its architecture and food, a place known to the heart for its memoir.

A Tell-Tale Heart

2020

Medium: Water-colour

A Tell-Tale Heart

2020

Medium: Water-colour

Curzon Hall, Dhaka, Bangladesh

Akin 

2020

Medium: Markers

Akin 

2020

Medium: Markers

Highlights how nature has its way of taking back its' place regardless of human effort

Reclaim

2014

Medium: Pen

Reclaim

2014

Medium: Pen

A battered window of Indo-saracenic architecture

Bathed Bricks

2015

Medium: Pencil

Bathed Bricks

2015

Medium: Pencil

Panam City outside Dhaka city in Bangladesh. A statement of architecture that survives and inspires.

Sacrarium 

2016

Medium: Pen

Sacrarium 

2016

Medium: Pen

A shrivelled old man kissing his shrivelled old lady's hand. A claim of true affection prevailing the trials of time.

Love In Lines

2015

Medium: Pencil 

Love In Lines

2015

Medium: Pencil 

A crumpled bottle, half full: identifying with self. Pencil sketch off reference image
Sketched off Double-exposure photography to highlight mental confinement. Image of a person in toil & reflection. Pencil sketch
Sketch of the historic Ahsan Manzil located in Dhaka, Bangladesh while it was closed off to visitors during pandemic
Ahsan Manzil reimagined in the year 2150: sunken, immersed and under intrigue
Tara Masjid in Dhaka, Bangladesh
Ruplal House in Forashganj in Old Dhaka, Bangladesh
Of the sea in a storm, reflective of the inner turmoil in regular leisurely hours, depicted by dark clouds and restless waves
The painting is meant to visualize the ripple effect of a task as simple as scooping water from a pond: in the way that it enables living
Shabby and worn walls weathered over the years, a sight to look at even after the deep wrinkles
Ajo Idea Space in Uttara, Bangladesh. a place known to public for its architecture and food, a place known to the heart for its memoir.
Curzon Hall, Dhaka, Bangladesh
Highlights how nature has its way of taking back its' place regardless of human effort
A battered window of Indo-saracenic architecture
Panam City outside Dhaka city in Bangladesh. A statement of architecture that survives and inspires.
A shrivelled old man kissing his shrivelled old lady's hand. A claim of true affection prevailing the trials of time.
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